Wednesday, March 25, 2015

How Sorrow made its way to theater

When writer and director Millie Loredo awoke from an extremely vivid nightmare, the first thing she did was grabbed a pen and paper and wrote it down. Three pages later, she had her first draft of her treatment for a short indie horror film.

Loredo took her small budget and cast to Utah and shot the 15-minute short film. She was proud of her work but felt like she could expand the film to draw audiences into the story of a woman who takes back the life she almost lost to deranged serial killers.



In order to turn Sorrow into a full-length feature horror film, Loredo was going to need a bigger budget. She and producer Dillon Bowen took to YouTube to ask fans of horror films to donate to their Kickstarter fund.

“The reason we need this money is because we’re trying to create and complete this feature film,” Loredo said. “Filmmaking is such a fun process, but it’s also a lot of hard work. In the end, it pays off, because whenever you - the audience - laugh or enjoy the film, then we’ve done our job.”

Loredo continued, adding that films like Texas Chainsaw Massacre, The Last House on the Left, The Devil’s Rejects and I Spit on Your Grave inspired her vision for Sorrow as a full-length feature horror film.


Viewers eventually donated enough so that Loredo and FilmsVerite Productions could film the now 90-page screenplay for Sorrow with a cast that includes Hulu Network’s “East Los High” star Vannessa Vasquez, We Are Still Here star Andrew Sensenig and indie film star Melissa Mars.

Loredo said she is grateful to everyone who donated and hopes to see some donors at the upcoming screenings of the film. Sorrow will premiere next month on Tuesday, April 21, at River Oaks Theater in Houston, Texas and on Amazon Prime. Loredo and Vasquez will then tour six cities in five different states to screen the film.


“Our budget was definitely small, but we got it done,” Loredo said. “We worked with what we had and were able to create the indie horror film I had envisioned.”

By Alexandria Gonzalez

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